Script Abbab 2 is a regular weight, very narrow, high contrast, upright, very short x-height font.
Keywords: headlines, invitations, packaging, branding, greeting cards, elegant, whimsical, vintage, playful, handcrafted, display flair, handwritten charm, vintage elegance, personal tone, decorative caps, tall, spidery, loopy, delicate, calligraphic.
A tall, slender script with pronounced thick–thin modulation and a lightly calligraphic, pen-drawn feel. Letterforms lean upright with long ascenders and descenders, narrow counters, and occasional looped joins that suggest cursive construction even when characters appear partially separated. Terminals are tapered and often end in small hooks or soft curls; strokes stay smooth and continuous, giving the alphabet a flowing rhythm. Uppercase forms are especially elongated and ornamental, while lowercase retains compact bowls and very short x-height proportions relative to the ascenders.
This font suits short display settings where its tall, high-contrast strokes and looped details can be appreciated—such as invitations, greeting cards, boutique branding, beauty or lifestyle packaging, and editorial headlines. It works well for pull quotes or product names, and is best avoided for long paragraphs or small UI text where the fine hairlines may lose clarity.
The overall tone feels refined yet charming, combining a dressed-up, vintage sensibility with a friendly handwritten warmth. Its airy spacing and wiry strokes create a light, graceful voice that reads as personal and slightly whimsical rather than formal or corporate.
The design appears intended to deliver a stylized handwritten script that feels elegant and personal, with elongated proportions and calligraphic contrast to add drama in display typography. Its mix of flowing connections and crisp, tapered terminals suggests a focus on expressive word-shapes over utilitarian text setting.
Capitals tend to be more decorative and can dominate the texture in mixed-case settings, while the lowercase provides a more even cursive cadence. Numerals follow the same narrow, high-contrast logic and look best when used as accent elements rather than dense data.