Sans Superellipse Efnen 17 is a regular weight, normal width, monoline, italic, tall x-height font.
Keywords: headlines, branding, posters, interfaces, signage, futuristic, technical, sleek, sporty, retro, modernize, signal speed, add tech tone, brand distinctiveness, system consistency, rounded corners, squared curves, oblique slant, angular, streamlined.
A clean, obliqued sans built from straight strokes and squared curves, with corners consistently softened into rounded-rectangle turns. Strokes are even and uniform, giving the design a precise, engineered feel, while counters and bowls lean toward superelliptical shapes rather than true circles. Proportions are compact and forward-leaning, with tight joins, open apertures, and simplified terminals that keep the letterforms crisp at display sizes. Numerals and capitals echo the same rounded-corner geometry, producing a cohesive, modular rhythm across the set.
Best suited for headlines, logos, and short-form messaging where its streamlined geometry can read as intentional and modern. It also fits UI/UX theming, dashboards, and technical or automotive-inspired graphics that benefit from a fast, precise voice. For longer text, it will be most comfortable at larger sizes where the squared curves and tight rhythm remain clearly legible.
The overall tone reads fast, aerodynamic, and tech-oriented—evoking motorsport graphics, sci‑fi interfaces, and industrial labeling. Its forward slant and squared-round forms add a subtle retro-future flavor while staying controlled and professional.
This font appears designed to deliver a contemporary, speed-forward sans with a distinctive superelliptical construction—balancing geometric novelty with practical clarity. The consistent rounded-corner system suggests an aim for strong visual branding and a cohesive, engineered aesthetic across letters and numbers.
The design’s identity comes from the consistent “rounded rectangle” logic applied to both curves and terminals, which keeps shapes looking deliberate and uniform. The italic construction feels intrinsic rather than a simple mechanical slant, with diagonals and joins harmonized to the same geometric system.