Sans Superellipse Orbor 6 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, packaging, techy, industrial, futuristic, confident, utilitarian, geometric voice, tech branding, display impact, modern signage, rounded corners, squared curves, condensed feel, boxy, high impact.
A geometric sans with a superelliptical construction: bowls and counters read like rounded rectangles, with consistently softened corners and flat-ish vertical and horizontal terminals. Strokes are heavy and even, giving the letterforms a compact, blocky silhouette; curves are tightened into squarish arcs rather than fully circular rounds. Spacing appears controlled and slightly tight in text, while the overall rhythm stays orderly and grid-like. The lowercase is simple and architectural, with single-storey forms and a squared, modular feel that keeps shapes uniform across the set.
Best suited to display settings where its compact, blocky geometry can read as a design feature—headlines, posters, branding marks, packaging, and wayfinding/signage. It can work for short UI labels or tech-themed graphics, but the strong shapes and tight rhythm make it more compelling in prominent, larger-size applications than in extended body text.
The font projects a modern, engineered tone—clean, assertive, and a bit retro-futurist. Its rounded-rectangle geometry feels tech-oriented and industrial, balancing friendliness from the softened corners with a sturdy, no-nonsense presence.
The design intention appears to be a contemporary geometric sans built from rounded-rectangle forms, aiming for a distinctive, systematized look that feels technical and modern while remaining approachable through softened corners. It prioritizes strong silhouettes and consistent geometry to create a recognizable voice in display typography.
Round forms (notably in O, Q, and the numerals) maintain a consistent superellipse profile, and many joins and terminals resolve into short flats rather than pointed or tapered ends. The overall impression is deliberately stylized toward a squarish geometry, which increases personality and impact, especially at larger sizes.