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Free for Commercial Use

Sans Superellipse Omdup 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Armetica' by Hsan Fonts, 'Jales' by Marvadesign, 'Vintage Whiskey' by Vozzy, and 'Buyan' by Yu Type (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, labels, industrial, condensed, modern, utilitarian, assertive, space-saving impact, system coherence, signage clarity, geometric utility, squared-round, compact, tall, sturdy, high-contrast (negative).


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A compact, tall sans with squared-round construction: curves resolve into rounded-rectangle bowls and terminals, giving letters a superellipse feel. Strokes are uniform and heavy, with tight apertures and crisp internal counters that stay clean at display sizes. The proportions are strongly condensed with a steady vertical rhythm; round characters like O and Q read as softened rectangles, while diagonals (A, V, W, X) are straight and controlled. Lowercase forms are similarly narrow and sturdy, with simple, functional joins and a consistent, no-nonsense drawing across letters and figures.

Best suited to headlines and short blocks where a condensed footprint and strong presence are needed, such as posters, packaging labels, signage, and bold brand wordmarks. It can also work for UI or dashboard-style titling where a compact, technical tone is desired, though longer reading text may feel dense due to the narrow forms and tight apertures.

The overall tone is industrial and direct, combining a technical, engineered feel with a slightly retro signage energy. Its condensed stance and squared-round curves project efficiency and firmness rather than warmth or delicacy.

The design appears aimed at delivering a space-efficient, high-impact sans with a consistent squared-round geometry, optimized for clear, punchy display typography. Its uniform stroke weight and disciplined shapes suggest an intention to feel engineered and contemporary while retaining a familiar, practical letterform structure.

The sample text shows strong word-shape uniformity and tight spacing potential, making the texture dense and purposeful. Numerals follow the same squared-round logic, keeping a cohesive, system-like voice across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸