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Sans Superellipse Manis 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Bold Pen Lettering JNL' by Jeff Levine, 'Brocks' by Par Défaut, 'Oscar Bravo' by Studio K, 'Goodland' by Swell Type, 'Huberica' by The Native Saint Club, 'DBXLNightfever' by VetteLetters, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: headlines, logos, posters, sports branding, gaming ui, sporty, techy, futuristic, energetic, confident, impact, speed, modernize, brand voice, display emphasis, rounded, oblique, compact, smooth, blocky.


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A heavy, oblique sans built from rounded-rectangle geometry, with softly squared counters and generously radiused corners throughout. Strokes stay consistently thick with minimal modulation, producing a dense, punchy texture and strong silhouette. Terminals are blunt and rounded rather than sharp, and many forms lean into superellipse-like bowls and apertures, giving letters a molded, streamlined feel. Numerals and capitals read sturdy and compact, while the overall rhythm is slightly dynamic due to the forward slant and varied character widths.

Best suited for bold headlines, brand marks, and short display lines where its slanted, rounded-square forms can carry personality. It works well in sports and motorsport-style graphics, gaming or tech-themed titles, packaging callouts, and punchy social or poster typography where high visual impact is the goal.

The font conveys speed and impact, blending a sporty headline attitude with a clean, engineered look. Its rounded-square construction feels modern and slightly retro-futuristic, suggesting motion, performance, and confident display messaging.

The design appears intended to deliver maximum emphasis with a streamlined, aerodynamic feel, using rounded-rectangle construction to balance toughness with approachability. The forward slant reinforces motion and urgency, making it ideal for energetic display communication.

The oblique angle and tight interior openings create a strong, unified word shape at larger sizes, while small-size readability may depend on spacing and background contrast. Round dots and softened corners keep the tone friendly despite the very dark color and compressed internal spaces.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸