Sans Superellipse Lorev 12 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: ui labels, dashboards, headlines, posters, wayfinding, technical, retro-futuristic, industrial, systematic, minimal, space-saving, clarity, ui-ready, modular, signage, boxy, condensed, compact, corner-rounded, geometric.
The design is built from slender, rounded-rectangle strokes with consistent line weight and clean terminals. Curves are minimized in favor of squared bowls and softly radiused corners, creating a superelliptic, schematic feel across letters and numerals. Proportions are compact and tall, with narrow counters and controlled spacing that emphasizes verticality and economy of width. Distinctive simplified forms—such as the angular diagonal in "X" and the straight-sided, boxy "O/0"—reinforce a constructed, grid-friendly aesthetic.
It suits UI labels, dashboards, and control-panel style graphics where compact text and a technical voice are desirable. It also works well for posters, sci‑fi or cyber-themed branding, packaging callouts, and wayfinding-style headings that benefit from a narrow footprint. Numerals and short strings (IDs, codes, scoreboards) are a natural fit given the structured, uniform stroke behavior.
This font gives off a crisp, engineered tone with a slightly retro-futuristic edge. Its tight, modular rhythm feels technical and efficient, suggesting interfaces, instrumentation, and compact labeling. The rounded corners soften the geometry just enough to keep it approachable rather than severe.
The font appears designed to maximize legibility in tight spaces while maintaining a consistent, mechanical look. Its squared curves and rounded corners suggest an intention to feel modern and device-oriented, with shapes that reproduce cleanly in digital environments and small display contexts.
The overall rhythm is driven by repeated vertical stems and squared bowls, producing a consistent texture in paragraphs. The rounded corners and open apertures help prevent the geometry from feeling too rigid while keeping the forms distinctly constructed.