Solid Moma 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'De Fonte Plus' by Ingo, 'Big Black' by T-26, and 'TPG DontBlurry' by Tolstrup Pryds Graphics (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, stickers, playful, blobby, cartoony, chunky, bouncy, attention grab, playfulness, softness, tactile feel, novel display, rounded, soft, puffy, gooey, bulbous.
A heavily rounded, monoline display face built from swollen, blob-like forms with smooth contours and no sharp terminals. Letterstructure is simplified and highly geometric in spirit, with many counters reduced to small slits or teardrop openings and some interior spaces collapsing entirely at heavier joins. Curves dominate throughout, strokes merge into continuous masses, and proportions feel compact with broad shoulders and a tall lowercase presence relative to capitals. Spacing looks generous in the sample, helping separate the dense silhouettes and keep word shapes readable at large sizes.
Best suited for short, high-impact settings such as posters, headlines, playful branding, packaging, and kid-oriented graphics. It works especially well where large sizes and ample tracking can preserve the small internal openings and keep the heavy silhouettes from clumping.
The overall tone is cheerful and tactile, evoking foam, gum, or soft plastic shapes. Its bouncy rhythm and exaggerated heft give it a friendly, kid-centric energy and a bold, attention-grabbing personality.
This design appears intended to deliver maximum visual weight with a soft, approachable feel, prioritizing bold silhouette and charm over fine detail. The collapsed counters and puffed geometry suggest a deliberate novelty display style meant to read as a solid, tactile shape rather than a traditional text face.
The glyphs show intentional irregularity in curvature and join shapes, which adds character but also increases visual noise in long lines. Counters are often tiny and asymmetric, so clarity depends strongly on size and background contrast.