Font Hero

Free for Commercial Use

Sans Superellipse Pylut 3 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'HS Alwafa' by Hiba Studio (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, retro, technical, condensed, architectural, space saving, modern display, systematic geometry, signage clarity, rounded corners, squared bowls, vertical stress, closed apertures, compact.


Free for commercial use
Customize the font name

This typeface is built from compact, high-contrast silhouettes with consistently rounded outer corners and squared-off counters, giving many letters a superellipse/rounded-rectangle skeleton. Strokes stay visually even, with straight verticals and short, controlled horizontals; curves tend to resolve into flattened arcs rather than fully circular rounds. Proportions are markedly condensed, with tall ascenders/uppercase forms and tight internal spacing, while terminals are generally blunt and clean. Lowercase shapes echo the uppercase geometry, producing a steady, engineered rhythm across text and numerals.

Best suited to headlines, posters, and identity work where a condensed, geometric voice can carry the layout with strong vertical presence. It also fits signage and packaging that benefit from an efficient footprint and a crisp, engineered tone. For extended reading, it will perform most comfortably at larger sizes where the compact shapes and tight openings remain clear.

The overall tone reads industrial and technical, with a subtle retro flavor reminiscent of signage, equipment labeling, and streamlined modernist display lettering. Its narrow stance and rounded-rectilinear construction feel efficient and purpose-built, projecting a cool, utilitarian confidence rather than softness or warmth.

The design appears intended to merge a space-saving condensed structure with rounded-rectilinear geometry, creating a distinctive display sans that feels systematic and modern. Its consistent corner treatment and controlled stroke behavior suggest a focus on uniformity, repeatable forms, and a strong, immediately recognizable word shape.

Round letters such as O/Q and curved joins favor flattened, squared counters, which reinforces a modular, architectural look. The numerals follow the same condensed geometry, remaining tall and compact for consistent texture in mixed text and data. In longer settings, the tight apertures and compressed widths create a dense typographic color that feels intentional and graphic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸