Print Fiken 3 is a bold, very narrow, medium contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, social media, stickers, raw, expressive, playful, casual, energetic, handmade texture, casual impact, energetic display, brand accent, brushy, textured, dry stroke, inked, painterly.
A compact, brush-driven handwritten style with slightly right-leaning forms and visibly uneven stroke edges. Strokes show dry-brush texture and subtle tapering, with softened corners and occasional blobby terminals that feel ink-loaded. Proportions are tall and tight, with irregular widths and lively baseline wobble that keeps the texture active across words. Counters are small to medium and often slightly lopsided, reinforcing a natural, hand-rendered rhythm rather than geometric consistency.
This font works best for short, high-impact text such as posters, headlines, labels, and packaging where the dry-brush texture can be appreciated. It also suits social graphics, event promos, and casual branding accents that benefit from an expressive handmade feel. For longer reading, it’s better used sparingly as a display face or for pull quotes.
The overall tone is informal and spirited, like quick marker or brush lettering made for emphasis. Its roughened edges and punchy silhouettes give it a handmade, street-poster energy that reads as friendly, bold, and a little mischievous.
The design appears intended to capture the immediacy of hand-painted or brush-marker lettering—prioritizing personality, texture, and movement over strict regularity. Its narrow, compact silhouettes and energetic stroke behavior suggest a goal of creating strong visual presence in tight spaces while retaining a human, imperfect charm.
Uppercase and lowercase share a cohesive brush logic, with simplified, single-stroke-like constructions in many letters and noticeable variation in terminal shapes. Numerals match the same textured finish and compact spacing, helping mixed alphanumeric settings feel unified. The texture becomes a key feature at larger sizes, while at smaller sizes the tight forms and rough edges can start to crowd.