Sans Faceted Ipki 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, posters, packaging, techno, game-like, industrial, enigmatic, futuristic, geometric stylization, tech aesthetic, modular consistency, display impact, angular, geometric, chamfered, faceted, rounded corners.
A geometric, faceted sans built from straight segments with consistent stroke thickness and frequent chamfered joins. Curves are largely replaced by angled planes, producing polygonal bowls (notably in O and Q) and pointed transitions in diagonals and terminals. Corners are slightly rounded, softening the otherwise sharp construction and keeping stroke endings clean rather than tapered. Proportions are compact and steady, with open counters and a clear, modular rhythm that reads like letterforms assembled from short bars and angled cuts.
Best suited for display settings where its planar geometry can be a defining visual feature: headlines, logos, product branding, posters, and packaging. It can also work for short UI labels or title screens in digital contexts, where a techno or game-inspired tone is desired, but it may be less ideal for long-form reading where more conventional curves aid familiarity.
The overall tone feels technical and game-like, with a constructed, schematic character that suggests machinery, circuitry, or sci‑fi interfaces. Its faceted geometry gives it a cryptic, coded flavor—more “designed object” than handwritten—while the rounded corners keep it approachable rather than aggressive.
The design appears intended to translate a sans skeleton into a faceted, polygonal system, prioritizing a unified geometric motif over conventional curves. By combining crisp angles with slightly softened corners, it aims to deliver a futuristic, constructed look that remains legible and consistent across uppercase, lowercase, and numerals.
Distinctive polygonal forms show up repeatedly in round letters and numerals, creating strong stylistic cohesion across cases. The sample text demonstrates a steady texture at paragraph sizes, though the angular substitutions for curves and the stylized shapes in letters like a/g/e can make the voice feel intentionally decorative rather than neutral.