Solid Kori 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FHA Sign DeVinne' by Fontry West (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, event promo, playful, chunky, retro, quirky, rowdy, maximum impact, cartoon display, silhouette focus, texture building, quirky branding, heavyweight, blobby, notched, soft-cornered, irregular.
A highly weighty display face with inflated, blobby silhouettes and frequent angular nicks that create a chiseled, cut-out feel. Counters are largely collapsed, so letters read as solid masses with only occasional pinched apertures and small bite-like notches. Strokes stay broadly uniform, with rounded bulges at joins and terminals offset by abrupt, faceted corners; curves are generous and sometimes slightly lopsided, giving the set an intentionally uneven rhythm. Uppercase forms are squat and blocky, while lowercase retains similarly heavy structure with simplified bowls and minimal internal detail; figures follow the same solid, sculpted approach.
Best suited to short, high-impact settings such as posters, headlines, logotypes, packaging, and bold event promotions where silhouette-driven letterforms can be read at larger sizes. It can also work for playful branding moments, stickers, or merch graphics where a loud, solid texture is desirable.
The overall tone is boisterous and mischievous—more cartoon signage than formal typography. Its solid, swollen shapes and irregular nicks suggest a handmade, cut-paper or carved look, projecting humor and exuberant energy rather than refinement.
The design appears intended to maximize visual punch through near-solid glyphs, using notches and faceting to keep forms recognizable while maintaining a dense, graphic block. It prioritizes character and texture over internal clarity, aiming for a quirky, retro-leaning display voice.
Because interior openings are mostly filled, differentiation relies on outer silhouettes and the placement of small notches, which can make dense text feel visually packed. The texture becomes especially dark in longer lines, where the face reads as a continuous band of black punctuated by occasional cuts.