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Free for Commercial Use

Sans Normal Osnez 7 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Formata' and 'Formata W1G' by Berthold, 'MVB Magnesium' by MVB, 'Ocean Sans' by Monotype, 'Reba Samuels' by Samuelstype, 'Clear Gothic Serial' by SoftMaker, and 'TS Clear Gothic' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, friendly, punchy, casual, chunky, attention-grabbing, approachability, informality, display impact, soft corners, bulky, bouncy, rounded, compact.


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A heavy, rounded sans with thick strokes and softly modeled curves that keep counters open and readable. The shapes lean on broad, circular construction with subtly squarish terminals, giving letters a sturdy, cut-paper presence. Curves and joins are slightly irregular in a deliberate way, creating a gentle wobble in verticals and bowls that reads as hand-influenced rather than mechanical. Uppercase forms are compact and blocky, while lowercase introduces more bounce through varied bowl sizes and lively proportions; numerals are similarly robust, with strong silhouettes designed to hold up at display sizes.

This font is best suited to short, high-impact text such as headlines, posters, packaging callouts, and brand marks where a friendly, bold voice is needed. It can also work for signage and social graphics, especially when set with comfortable tracking to preserve clarity at smaller display sizes.

The overall tone is upbeat and approachable, with a warm, humorous personality. Its slightly uneven rhythm and chunky massing make it feel informal and energetic, suited to messaging that wants to sound friendly and confident rather than strict or corporate.

The design appears intended to deliver maximum presence with an approachable, playful feel. By combining very heavy strokes with rounded construction and a subtly hand-touched rhythm, it aims to be attention-grabbing while staying friendly and easy to read.

Spacing appears generous enough to prevent the dense weight from clogging, and the punctuation in the sample text remains clear despite the heavy stroke. Round letters (like O/C/G) keep smooth continuity, while diagonals (like K/V/W/X) read bold and assertive, reinforcing a headline-first character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸