Sans Superellipse Raduf 1 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'Resolve Sans' by Fenotype; 'Ikigai', 'Ikigai Variable', and 'Verbatim' by Monotype; 'Ggx89' by Typodermic; 'Aeternus' by Unio Creative Solutions; and 'Herokid' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, magazine, condensed, modern, editorial, urbane, minimal, space-saving, modern clarity, systematic geometry, editorial impact, clean, monoline, geometric, compressed, crisp.
A condensed, monoline sans with tall proportions and compact counters. Curves are built from rounded-rectangle geometry, giving O/C/G and the bowls in B/P/R a softly squared, superellipse feel rather than a purely circular one. Strokes stay even and clean, terminals are mostly straight-cut, and joins remain tight and controlled, producing a crisp vertical rhythm. Lowercase forms are similarly narrow with simple, functional construction, and figures match the compressed, columnar stance for a consistent overall color in text.
This font is well suited to headlines, subheads, and display typography where narrow width helps fit more characters per line without losing presence. It can work effectively in magazine layouts, branding systems, packaging, and interface headers where a clean, modern voice and tight horizontal footprint are desirable.
The overall tone feels contemporary and editorial, with a sleek, space-saving presence that reads confident and metropolitan. Its squared-round curves add a subtle industrial polish—friendly enough to avoid stiffness, but still distinctly modern and restrained.
The design appears intended as a compact, contemporary sans that maximizes vertical clarity while keeping a controlled, geometric personality. Its superellipse-inspired rounds and even stroke weight suggest a focus on systematic forms that remain legible and consistent at display and larger text sizes.
The alphabet shows strong vertical emphasis and a deliberately economical use of width, which creates a striking, poster-like texture when set in long lines. Round letters maintain a slightly squared interior, helping the face feel systematic and uniform across caps, lowercase, and numerals.