Slab Contrasted Pyva 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Dharma Slab' by Dharma Type, 'Akkordeon Slab' by Emtype Foundry, 'Giza' by Font Bureau, 'Night Train' by FontMesa, 'Cowboyslang' by HVD Fonts, 'FTY JACKPORT' by The Fontry, and 'Winner' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, branding, western, vintage, sturdy, showy, rustic, woodtype revival, poster impact, vintage signage, bold branding, bracketed, blocky, compressed, high impact, poster.
A heavy, compressed slab-serif design with prominent bracketed slabs and sculpted inner corners. Stems are thick and the counters are relatively tight, creating a dense color on the line. Many joins show pinched or notched shaping, giving the letterforms a carved, woodtype-like character rather than purely geometric construction. Round letters (O, Q, C) keep strong vertical stress and sturdy terminals, while diagonals in V, W, and Y remain weighty and compact for a uniform, high-impact rhythm.
Best suited to display settings where strong presence is needed: posters, large headlines, storefront or event signage, and packaging that benefits from a vintage or Western tone. It can work for short emphatic subheads, but the dense interiors and busy detailing are most effective at larger sizes and with generous tracking.
The font reads as classic American display type with a frontier and saloon-sign sensibility. Its bold slabs and chiseled details communicate toughness and nostalgia, suggesting hand-set poster printing and old advertising. Overall it feels confident, theatrical, and attention-grabbing.
Likely designed to evoke traditional slab-serif woodtype used in 19th–early 20th century posters, combining compact proportions with emphatic slabs for maximum impact. The carved notches and bracketed serifs appear intended to add character and a handcrafted, printed feel while preserving a clear, sturdy structure.
The uppercase set looks especially authoritative and sign-like, while the lowercase maintains the same chunky structure for consistent texture in mixed-case lines. Numerals are similarly stout and designed to hold their shape at large sizes, with distinctive silhouettes intended for headline use.