Sans Other Onpu 3 is a bold, wide, monoline, upright, normal x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, tech branding, tech, industrial, sci-fi, gaming, digital, futuristic tone, system geometry, display impact, interface clarity, angular, chamfered, geometric, modular, square.
A blocky geometric sans built from straight, monoline strokes with squared counters and frequent chamfered corners. The letterforms follow a modular, almost stencil-like construction with strong horizontals/verticals and occasional diagonal cuts that create crisp joins and a faceted rhythm. Proportions are generally broad and low-contrast, with compact apertures and rectangular inner spaces that keep the texture dense and highly graphic in all-caps and mixed-case settings. Numerals and uppercase share the same hard-edged logic, producing a consistent, grid-friendly silhouette.
Best suited to display applications where its angular geometry can be appreciated: headlines, posters, packaging callouts, logos/wordmarks, and interface elements in games or tech-forward products. It also works well for signage-style labeling and titles where a compact, engineered texture is desirable.
The overall tone feels futuristic and utilitarian, evoking digital hardware, arcade interfaces, and industrial labeling. Its sharp corners and squared geometry give it a purposeful, engineered attitude that reads as assertive and technical rather than friendly or literary.
The design appears intended to deliver a rigid, system-like aesthetic built from modular parts, prioritizing strong silhouette and a techno-industrial mood over calligraphic nuance. The consistent stroke and chamfered joins suggest an aim for clarity on grids and a distinctive, hardware-inspired voice.
At text sizes the tight apertures and squared counters can make forms feel similar, while at display sizes the chamfers and modular cuts become the defining character. The design’s consistent stroke and straight-sided curves create a clean, mechanical cadence that suits short bursts of copy and strong typographic shapes.