Sans Other Obvu 6 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, retro, arcade, industrial, techno, tactical, high impact, retro-tech, modular system, sturdy display, angular, blocky, squared, stencil-like, compact.
A heavy, squared display sans built from straight strokes and hard corners, with frequent 45° chamfers that clip terminals and outer corners. Counters are mostly rectangular and tightly proportioned, giving letters a dense, modular feel. The construction is largely monoline in stroke thickness, while widths vary per glyph, producing a chunky, grid-like rhythm that reads as engineered rather than calligraphic. Diagonals appear mainly as beveled cuts and in select forms (like K, R, X), and many joins are abrupt, emphasizing a pixel-adjacent, machined geometry.
Best suited to headlines, poster titles, logo wordmarks, and branding where a strong, geometric voice is needed. It also fits UI labeling for games or tech-themed interfaces, as well as packaging and merch graphics that benefit from a rugged, arcade-industrial aesthetic.
The overall tone is bold and assertive with a distinctly retro-digital energy. Its crisp angles and cut corners evoke arcade hardware, sci‑fi interface labeling, and industrial signage, projecting a tough, utilitarian personality rather than a friendly or literary one.
The design appears intended to deliver maximum impact through a modular, chamfered construction that stays consistent across cases and numerals. Its clipped corners and rectangular counters prioritize a mechanical, screen-ready look, aiming for a distinctive retro-tech display presence.
Uppercase and lowercase share the same angular vocabulary, with single-storey forms and squared bowls that keep the texture consistent in mixed case. Numerals are similarly boxy and compact, with distinctive cut-ins and rectangular apertures that strengthen the ‘tech label’ impression. The dense interiors and minimal curvature favor impact over subtlety, especially at larger sizes.