Sans Superellipse Onnay 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui, dashboards, tech branding, product labeling, posters, tech, futuristic, clean, systematic, industrial, ui clarity, modular branding, digital labeling, signage legibility, modern neutrality, angular-rounded, boxy, compact, constructed, geometric.
The design is built from rounded-rectangle geometry with consistently softened corners and largely uniform stroke thickness. Counters are squarish and open, with wide apertures in letters like C and G, and an overall compact, orderly rhythm. Terminals tend to be flat and horizontal/vertical, while diagonals (as in K, V, W, X) stay crisp and straight, reinforcing a constructed, grid-friendly silhouette. Numerals and lowercase share the same superelliptical logic, producing a cohesive, system-like texture in text.
It performs well in interface design, dashboards, control panels, and app headers where a geometric, engineered look supports clear hierarchy. It also suits product/tech branding, packaging, and short-form display copy that benefits from a distinctive rounded-square identity. The numerals read particularly well for UI metrics, counters, and data-forward compositions.
This typeface conveys a tech-forward, engineered mood with a calm, controlled tone. Its squared-off curves and modular rhythm feel modern and slightly futuristic, evoking digital interfaces, industrial labeling, and clean product branding rather than expressive or calligraphic personality.
The font appears intended to deliver a contemporary, device-oriented sans voice that stays highly controlled and consistent across letters and numerals. Its rounded-square construction suggests a desire for friendliness without softness, balancing geometric precision with approachable corners. The shapes prioritize uniformity and repeatable forms suited to structured layouts.
The sample text shows even color and steady spacing that maintains a tidy, modular texture across mixed case. Letterforms lean toward squared bowls and rectangular counters, giving the text a recognizable “rounded-corner grid” feel, while keeping openings generous enough to avoid looking overly closed-in.