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Free for Commercial Use

Sans Superellipse Uknik 2 is a very bold, narrow, low contrast, upright, normal x-height font.

Keywords: posters, headlines, sports branding, packaging, signage, industrial, athletic, poster, retro, assertive, impact, compactness, durability, blocky, compact, chamfered, octagonal, condensed.


Free for commercial use
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A compact, heavy sans with squared, superelliptic construction and frequent chamfered corners that create an octagonal silhouette in curved letters. Strokes are uniformly thick with minimal modulation, and terminals are predominantly flat, giving the design a sturdy, signlike presence. Counters are tight and geometric, with small apertures in letters like S and C, and simplified inner shapes in B, P, and R. The lowercase follows the same blocky logic, with a single-storey a and g, tall, straight stems, and short, squared shoulders; the numerals are similarly angular and dense, with an enclosed, faceted 0 and an 8 built from stacked, squared bowls.

Best suited to display settings such as posters, headlines, and bold campaign lines where strong, compact shapes maximize impact. It can work well for sports branding, merchandise, and packaging that benefits from an assertive, industrial voice. Shorter text blocks and large sizes will showcase its angular detailing and dense counters most effectively.

The overall tone is forceful and utilitarian, evoking industrial labeling, athletic titling, and bold display typography. Its crisp chamfers and compact rhythm add a subtle retro flavor while keeping the voice direct and contemporary. The texture reads punchy and confident, designed to hold attention at a glance.

The letterforms appear intended to deliver maximum visual punch through heavy, condensed proportions and a consistent chamfered geometry. The design prioritizes clarity and a tough, mechanical character over softness, aiming for a bold, emblematic look that stands out in titling and branding.

The design maintains consistent geometry across cases, with a noticeably compressed rhythm and close internal spacing that increases visual weight. Pointed joins appear in diagonals like A, V, W, and Y, while rounded characters retain their faceted corners rather than fully smooth curves, reinforcing a mechanical, engineered feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸