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Free for Commercial Use

Outline Tyna 8 is a regular weight, normal width, low contrast, italic, normal x-height font.

Keywords: headlines, logotypes, posters, sports branding, packaging, retro, sporty, technical, energetic, display, retro display, speed emphasis, graphic texture, branding impact, inline, slanted, angular, blocky, condensed feel.


Free for commercial use
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This typeface is a slanted outline design built from angular, squared-off curves and sharply clipped terminals. Letters are drawn with an outer contour and a consistent internal inline that tracks the stroke path, creating a hollow, double-line construction with a slightly mechanical rhythm. Proportions skew narrow in many capitals, with compact bowls and straight-sided counters, while the lowercase keeps a straightforward, utilitarian structure. The figures follow the same outlined, inset treatment, with squared shapes and crisp corners that keep the set visually cohesive in all-caps and mixed-case settings.

Best suited to headlines, short bursts of copy, and identity work where the outline-and-inline styling can be appreciated. It works especially well for sports branding, retro-themed posters, racing or automotive-inspired graphics, and packaging or labels that benefit from a technical, energetic display voice.

The overall tone is distinctly retro and sporty, evoking vintage racing, athletic lettering, and industrial labeling. The slant and segmented, engineered outlines add momentum and a sense of speed, while the hollow construction keeps the texture lively and graphic rather than heavy.

The design appears intended to deliver a fast, vintage-leaning display look by combining an italic stance with a hollow outline and internal inline detailing. Its geometry and consistent striping prioritize graphic impact and thematic character over quiet, long-form readability.

The inline/outline construction is prominent at text sizes, producing strong internal striping and a busy color that reads best when given room. Angular joints and squared curves create a consistent “machined” feel across rounds like C, O, and G as well as diagonals in V, W, and X.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸