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Free for Commercial Use

Solid Gary 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Reflex Pro' by RMU, 'TT Norms Pro' by TypeType, 'Grold' and 'Grold Rounded' by Typesketchbook, 'Fortune Mouner' by Viswell, and 'Bush!!' by sugargliderz (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event promos, playful, chunky, retro, quirky, cartoon, attention grab, humor, texture, retro signage, handmade feel, bulky, rounded, blobby, soft corners, notched.


Free for commercial use
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A heavy, compact display face built from chunky, rounded forms with softened corners and frequent flat cut-ins. Many glyphs show small notches, bite-like intrusions, and irregular edge interruptions that create a deliberately roughened silhouette while keeping an overall geometric, poster-like mass. Counters are minimal or collapsed in several letters, producing dense black shapes and a simplified interior structure, while curves (notably in O/Q and numerals) remain broadly circular. Spacing and sidebearings read as inconsistent by design, giving the line a bouncy rhythm and uneven color typical of novelty display work.

Best used at large sizes where the dense shapes and irregular notches read as intentional texture—posters, headlines, logo marks, packaging callouts, and playful event promotion. It can also work for short, bold on-image titles where maximum contrast and a distinctive silhouette matter more than interior detail.

The font conveys a humorous, mischievous tone—like cut paper, stenciled blobs, or cartoon signage—mixing friendliness from its rounded weight with a slightly gritty, hacked-in character from the repeated notches and breaks. It feels attention-seeking and informal, suited to loud, graphic statements rather than refined reading.

The design appears intended to deliver maximum visual weight with a quirky, handcrafted irregularity—prioritizing silhouette, novelty texture, and immediate impact over counter clarity and long-form readability.

Uppercase and lowercase share a similarly massive, simplified construction, with distinctive angular wedges on letters like V/W/X/Y/Z and blockier verticals elsewhere. The numerals follow the same dense, rounded logic, with 0 as a near-solid oval and other figures showing the same chipped/indented detailing, reinforcing a cohesive, purposely imperfect texture.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸