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Free for Commercial Use

Inline Tuly 12 is a very bold, very wide, very high contrast, upright, tall x-height font.

Keywords: sports branding, posters, headlines, team apparel, packaging, sporty, retro, assertive, playful, industrial, impact, dimensionality, branding, signage, energy, rounded corners, blocky, outlined, slablike, compact apertures.


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A heavy, wide display face built from blocky, squared forms with generously rounded corners. The letterforms are predominantly solid with a consistent inline cut that reads as a crisp, white carved stripe running through the strokes, plus a dark outer edge that reinforces a sticker-like, outlined silhouette. Counters are small and often squared-off, with tight apertures and sturdy joins; diagonals (V/W/X/Y) are broad and emphatic, while curves (C/G/O/Q) stay boxy with softened corners. Overall spacing feels tight and uniform for impact, and the inline detail is kept consistent across uppercase, lowercase, and numerals for a cohesive, engineered look.

Well-suited to big, attention-grabbing settings such as sports identities, team merchandise, event posters, arcade/game-themed graphics, and bold packaging. It’s most effective in short headlines, logos, and badges where the inline carving and outlined mass can create a strong, dimensional presence.

The tone is bold and high-impact, combining athletic scoreboard energy with a retro sign-paint/arcade sensibility. The inline carving adds a crafted, dimensional feel—like embossed vinyl or routed lettering—making the voice feel confident, loud, and slightly playful.

The likely intention is to provide a tough, high-visibility display style that feels engineered and energetic, using an inline cut to introduce depth and motion without relying on gradients or effects. It aims to deliver instant impact and a recognizable silhouette for branding and titling.

The design favors geometric simplification and robustness over delicate modulation, with counters and notches that stay clear at larger sizes. The inline detail becomes a primary texture, so the face reads best where the internal stripe has room to breathe and doesn’t visually fill in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸