Print Dekaz 1 is a light, narrow, low contrast, upright, short x-height font.
Keywords: packaging, children’s, posters, quotes, labels, friendly, casual, playful, approachable, quirky, handmade feel, casual clarity, warmth, informality, monoline, rounded, airy, open forms, hand-drawn.
A monoline, hand-drawn print with softly rounded terminals and gently irregular curves that preserve an even, legible rhythm. Strokes show subtle wobble and taper from natural pen movement rather than geometric construction, giving counters a slightly organic asymmetry. Proportions are compact and fairly tall in the caps, with open apertures and simple, uncluttered shapes across letters and numerals. Overall spacing feels loose and breathable, with a consistent baseline presence despite the intentionally informal stroke behavior.
Well suited to packaging and small-display applications where a personable, handcrafted feel is desirable, such as labels, menus, café signage, and hobby or craft branding. It also works nicely for posters, short headlines, quotes, and educational/children’s materials where clarity and friendliness need to coexist. For longer text, it’s best in comfortable sizes with generous leading to maintain its airy texture.
The font conveys a friendly, conversational tone—like neat marker lettering for notes, labels, or classroom materials. Its mild irregularities add warmth and personality without turning into messy script, keeping the mood upbeat and approachable.
The design appears intended to mimic clean everyday handwriting in an unconnected print style, balancing charm with legibility. It aims for an informal, human presence—consistent enough for repeated use, but varied enough to avoid a mechanical, typeset look.
Uppercase forms are straightforward and readable, while lowercase adds charm through simplified, handwritten details (notably single-storey constructions and rounded joins). Numerals follow the same informal logic, with easy-to-parse silhouettes suited to quick reading. The design’s character comes more from stroke nuance and rounded endings than from decorative flourishes.