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Free for Commercial Use

Wacky Ebmij 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Blame Sport' by Agny Hasya Studio, 'Hudson NY Pro' by Arkitype, 'Outlast' by BoxTube Labs, 'Joe College NF' by Nick's Fonts, 'Outright' by Sohel Studio, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, kids media, playful, retro, circus, whimsical, chunky, attention-grabbing, theatrical, retro flavor, quirky branding, display impact, rounded, soft-edged, bulbous, bouncy, poster-like.


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A heavy, rounded display face with soft corners and sculpted, flared terminals that create a subtly uneven, hand-carved rhythm. Strokes are consistently thick with minimal contrast, and counters tend to be small and strongly shaped, giving letters a compact, punchy silhouette. The design mixes straight-sided forms with gentle notches and bulb-like feet, producing a lively texture across both uppercase and lowercase. Numerals follow the same chunky, rounded construction for a cohesive headline set.

Best suited to posters, headlines, title cards, and logo or wordmark work where strong impact and character are priorities. It also fits playful packaging, event promos, and children’s or entertainment-oriented graphics, especially when set at larger sizes with generous spacing.

The overall tone is jovial and theatrical, evoking a vintage show-poster or carnival sign feel. Its exaggerated weight and bouncy detailing read as friendly and attention-seeking rather than formal, with a wink of quirky personality in the terminals and interior cut-ins.

Likely designed to deliver immediate visual punch with a quirky, vintage-leaning personality, prioritizing memorable shapes and a strong black presence over neutral readability. The consistent chunky construction across letters and numerals suggests an emphasis on cohesive display typography for branding and promotional applications.

In text, the dense color and tight-looking internal spaces can make long passages feel heavy, but the distinctive silhouettes keep short lines engaging. Uppercase forms feel particularly emblematic and sign-ready, while lowercase retains the same playful stiffness for consistent branding.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸