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Free for Commercial Use

Serif Other Ekga 1 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, mastheads, branding, industrial, editorial, dramatic, retro, authoritative, display impact, graphic texture, stencil effect, vintage revival, brand distinctiveness, stencil-like, incised, cutout, notched, high impact.


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A heavy serif display design with an incised, cutout construction that reads like a refined stencil. Most strokes are built from large, solid verticals and rounded bowls, interrupted by consistent interior voids and wedge-like notches that create a segmented rhythm across the letterforms. Curves are smooth and generous, while terminals and joins often sharpen into pointed spurs or triangular cuts, giving the silhouette a crisp, engineered feel. The overall texture is dense and graphic, with compact counters and strong figure/ground interplay that stays consistent from capitals through numerals.

Best suited to large-scale uses such as headlines, posters, mastheads, and brand marks where the cutout details can read clearly. It can add a distinctive voice to packaging, event graphics, and editorial covers, and it works well for short pull quotes or title cards that benefit from a strong, patterned typographic texture.

The font conveys an industrial, poster-forward confidence with a touch of vintage theater and editorial drama. Its carved-in look suggests signage, packaging, or display titling where assertive presence and stylized craftsmanship are more important than neutrality. The repeated cut-ins add a slightly mischievous, attention-grabbing tone that feels both retro and modernist.

The design appears intended to merge classic serif proportions with a stylized stencil/incised motif, producing high-impact letterforms that remain recognizable while delivering a signature graphic pattern. Its consistent notches and interior breaks suggest an emphasis on visual identity and repeatable texture across a full character set.

At text sizes the internal cutouts become a defining texture, so spacing and line breaks strongly affect the perceived pattern. The numerals match the same segmented logic, helping headlines and date/price lines feel cohesive. The overall impression is more decorative than traditional book serif, best treated as a display face rather than a body-text workhorse.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸