Sans Faceted Humiz 2 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, album art, technical, retro-futurist, geometric, quirky, precise, geometric styling, tech flavor, display impact, distinct identity, vector aesthetic, angular, faceted, wireframe, polygonal, skeletal.
A skeletal, single‑stroke sans drawn with crisp, straight segments that break bowls and curves into small planar facets. Corners are sharply mitered, and round letters (O, C, G, Q, e) read as polygonal outlines rather than smooth arcs, creating a consistent “cut” geometry across the set. Proportions are open and lightly built with generous counters and ample internal space, while letter widths vary noticeably between glyphs for a lively rhythm. Terminals are clean and unembellished, and the overall construction feels measured and drafted rather than handwritten.
Best suited to display applications such as headlines, posters, branding marks, and packaging where the faceted geometry can be appreciated. It also works well for tech-leaning themes—interfaces, sci‑fi titling, or event graphics—especially when set with generous tracking and ample size. For long-form body copy, it’s likely most effective in short passages or pull quotes.
The faceted construction gives the font a technical, retro‑digital tone—like plotted vector lettering or low‑poly signage. Its light stroke and angular bowls feel airy and a bit idiosyncratic, projecting a precise but playful character rather than a neutral workhorse voice.
The design appears intended to translate a clean sans skeleton into a distinctive, polygonal voice, replacing curves with deliberate facets to evoke plotted/vector construction. The goal seems to be a lightweight, contemporary display face that remains legible while signaling a crafted, geometric identity.
In text, the thin monoline structure keeps pages visually quiet, but the many angles add sparkle and texture at display sizes. Numerals follow the same polygonal logic, with open, geometric forms that match the uppercase and lowercase rhythm. Spacing appears even and readable, with a consistent cap height and a straightforward, non-calligraphic stress.