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Free for Commercial Use

Sans Superellipse Edkir 6 is a bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Andove' by Locomotype, and 'Built' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, condensed, energetic, sporty, retro, assertive, space saving, high impact, speed cue, modern utility, display focus, rounded corners, tall proportions, oblique slant, tight spacing, compact.


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A tightly condensed sans with a pronounced forward slant and compact, tall proportions. Strokes stay largely uniform, giving the letters a clean, low-contrast texture, while corners and terminals are subtly rounded for a smooth, superelliptical feel. Curves are drawn with controlled, slightly squared-off roundness (notably in bowls and counters), and straight strokes remain steady and confident. The overall rhythm is narrow and vertical, producing dense word shapes with a streamlined, fast-moving silhouette.

This face performs best in display contexts such as headlines, posters, branding marks, and packaging where a condensed, slanted voice can add momentum and presence. It also suits sports and automotive-style graphics, editorial pull quotes, and signage where space is limited but emphasis is needed. For longer passages, its dense texture suggests using generous leading and moderate sizes to preserve clarity.

The font reads as energetic and purposeful, with a sense of speed and urgency driven by its slant and compressed width. Its rounded squareness adds a modern-industrial friendliness, balancing toughness with approachability. The result feels sporty and slightly retro, suited to bold, attention-seeking messaging.

The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a smooth, contemporary sans structure. Its rounded-rectangle curves and steady stroke weight aim for a cohesive, industrial-modern look that still feels friendly and legible at display sizes.

Uppercase forms are compact and sturdy, while lowercase keeps a straightforward, utilitarian construction with minimal flourish. Numerals match the condensed stance and maintain clear, consistent stroke behavior, helping mixed alphanumeric strings look cohesive. The design’s tight footprint emphasizes impact in short phrases and stacked lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸