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Free for Commercial Use

Solid Bojy 5 is a light, normal width, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, branding, editorial, packaging, quirky, playful, experimental, mod, whimsical, attention, expressiveness, texture, novelty, graphic contrast, asymmetric, calligraphic, teardrop, wedge, monoline-ish.


Free for commercial use
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A slanted, irregular display face that alternates between hairline strokes and heavy, ink-like blobs, creating a staccato rhythm across words. Many letters reduce bowls and counters into solid teardrops or rounded wedges, while other parts stay as fine, nearly monoline curves and angled joins. Curves are smooth and somewhat calligraphic, but proportions and stroke distribution are intentionally uneven, giving each glyph a slightly idiosyncratic silhouette. The result is a high-contrast feel at the word level (thin-to-solid within and between letters), with soft terminals, occasional sharp spurs, and a lively baseline presence in the lowercase.

Best used for short-form display settings such as posters, headlines, logos/wordmarks, and expressive editorial callouts where its irregular rhythm can be a feature. It can also work on packaging and event graphics when paired with a calmer companion face for supporting text.

The tone is mischievous and artsy, with a strong sense of experimentation—more like expressive mark-making than a conventional text italic. Its shifting black shapes and airy hairlines read as modern, offbeat, and slightly retro, suited to designs that want personality and surprise rather than typographic neutrality.

The design intent appears to be creating an attention-grabbing, novelty italic that plays with positive/negative space by collapsing internal openings into bold marks. By mixing airy strokes with heavy, simplified masses, it aims to deliver a distinctive, memorable texture and a strong graphic signature.

In running text, the interplay of dense black forms and very thin strokes produces a distinctive sparkle, but also makes spacing and readability highly dependent on size and context. Uppercase forms appear more geometric and emblematic, while lowercase brings more fluid, handwritten motion; numerals follow the same thin/solid contrast, with some digits rendered primarily as outline-like strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸