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Free for Commercial Use

Sans Contrasted Hamu 2 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Leroy' by Andinistas, 'FF Beekman Square' by FontFont, 'Muller Next' by Fontfabric, and 'Moai Variable' by Unio Creative Solutions (names referenced only for comparison).

Keywords: headlines, logotypes, posters, packaging, game ui, futuristic, techno, industrial, arcade, confident, impact, sci-fi styling, interface display, branding, rounded corners, blocky, geometric, stencil-like, softened square.


Free for commercial use
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A heavy, block-built display sans with softened square corners and tightly controlled geometry. Letterforms are wide and low, with compact counters and occasional slit-like apertures that read as cut-ins rather than open bowls. Curves are minimized in favor of rounded-rectangle construction, producing a sturdy, machined silhouette; contrast appears as selective thinning in internal cuts and joins rather than traditional stress. Spacing is relatively tight and the overall rhythm is dense, with forms that prioritize solid mass and clear horizontal structure.

Best suited to display settings such as headlines, branding marks, posters, and packaging where strong silhouette and impact are desired. It can also work for game/UI titling or tech-themed graphics, particularly at medium-to-large sizes where the interior cuts and counters remain clear.

The tone feels futuristic and engineered, evoking retro arcade and sci‑fi interface graphics. Its chunky silhouettes and cut-out detailing convey toughness and utility, leaning toward a bold, assertive voice rather than a friendly one.

The design appears intended to deliver maximum visual impact through broad proportions, softened corners, and distinctive cut-out details that suggest a fabricated or modular construction. It aims to balance hard-edged, industrial geometry with slightly rounded terminals for a more contemporary, screen-forward look.

In longer text the dense shapes can begin to merge visually, especially where counters are narrow, so it reads best when given generous tracking and line spacing. The numerals and uppercase shapes maintain a consistent rounded-rect language, supporting a cohesive, system-like feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸