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Serif Normal Afliy 12 is a light, wide, very high contrast, upright, normal x-height font visually similar to 'Eschaton' by Paulo Goode (names referenced only for comparison).

Keywords: headlines, magazine, branding, packaging, posters, luxury, editorial, fashion, dramatic, refined, luxury appeal, display impact, editorial tone, classic elegance, didone-like, hairline, bracketed, sculpted, calligraphic.


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A high-contrast serif with sharply tapered hairlines and strong vertical emphasis, pairing thick main stems with extremely fine connecting strokes. Serifs are crisp and sculpted, often resolving into pointed, wedge-like terminals that give many joins a chiseled look. Curves are smooth and controlled with small apertures, while diagonals and cross-strokes stay slender, creating a crisp, glossy rhythm in display sizes. The lowercase shows compact, elegant forms with a two-storey a, a looped g, and a narrow, delicate t, all maintaining a consistent contrast model across the set.

Best suited to headlines, mastheads, pull quotes, and other editorial display roles where its contrast and detailing can be appreciated. It also fits luxury branding, cosmetics/fashion packaging, invitations, and premium signage where a refined, high-impact serif is desired. For longer text, it will typically perform better at comfortable sizes and with attentive typesetting to protect the hairline strokes.

The overall tone is polished and high-end, with a fashion-editorial sensibility and a dramatic, luxe sheen. Its hairline details and precise terminals feel ceremonial and sophisticated rather than casual, conveying elegance and authority. The contrast and sharp finishing add a touch of theatricality suited to premium branding.

The design appears intended to deliver a classic, high-fashion serif voice with pronounced thick–thin drama and meticulously finished terminals. Its consistent contrast system and sculpted serifs prioritize elegance and impact in display typography while retaining conventional serif proportions and familiar letter structures.

At larger sizes the fine strokes read as intentional, giving the face a sparkling, engraved quality; in smaller settings those hairlines may require careful rendering and spacing to preserve clarity. Numerals follow the same contrast and pointed terminal language, with rounded figures showing prominent thick–thin modulation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸