Slab Unbracketed Ubma 12 is a very light, very narrow, low contrast, upright, short x-height font.
Keywords: headlines, posters, book covers, invitations, editorial display, whimsical, vintage, bookish, delicate, quirky, expressive display, vintage flavor, narrow economy, stylized elegance, storybook tone, condensed, spiky serifs, hairline, tall ascenders, lanky.
A tall, condensed slab serif with hairline strokes and small, square-ended serifs that read as crisp ticks at stroke terminals. The letterforms are narrow and vertically oriented, with long ascenders/descenders and a compact lowercase that sits relatively low against the overall cap height. Curves are lean and slightly pinched, and several glyphs show gently idiosyncratic detailing—like narrow bowls, tapered joins, and occasional hook-like terminals—while maintaining a consistent, even rhythm across the set. Numerals follow the same slender, lightly serifed construction, with simple open forms and an overall airy texture in text.
Best suited to display sizes where its thin strokes and compact width can read cleanly—headlines, titling, posters, and book or chapter titles. It can also work for short editorial pull quotes or packaging accents where a vintage, slightly whimsical flavor is desired, but it’s likely to be less comfortable for extended small-size body text due to its light construction and narrow forms.
The tone feels lightly eccentric and old-world, combining a delicate, almost hand-drawn refinement with a slightly spooky or storybook personality. Its thin, tall build gives it a theatrical elegance, while the quirky details keep it from feeling purely formal.
The design appears intended to deliver a condensed slab-serif silhouette with a distinctive, characterful twist—pairing crisp, square serifs with tall proportions and subtle, quirky details. The goal seems to be an expressive display face that evokes a vintage or storybook atmosphere while staying structurally upright and legible.
In the sample text the spacing and vertical proportions create a distinctive, high-contrast-in-size feel (more height than mass), producing a bright, open color on the page. The capitals are particularly statuesque, and the lowercase’s long extenders add a pronounced vertical cadence that becomes a key part of the font’s voice.