Sans Superellipse Rakap 11 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, packaging, signage, branding, condensed, modern, utilitarian, technical, clean, space saving, geometric clarity, modern display, system branding, signage clarity, rounded corners, soft terminals, rectilinear, compact, tall.
A tall, tightly set sans with monoline strokes and a condensed footprint. Curves are built from rounded-rectangle geometry: bowls and counters read as squarish superellipses with softened corners rather than true circles. Stems are straight and vertical, terminals are clean and minimally rounded, and joins stay crisp with little modulation. The overall rhythm is compact and vertical, with consistent stroke behavior across caps, lowercase, and figures.
Well-suited to headlines, posters, and packaging where a condensed silhouette helps fit more characters per line without losing a crisp, contemporary look. It also works for signage, UI-style labels, and branding systems that want a clean, engineered aesthetic with rounded-rectangular forms.
The font conveys a modern, pragmatic tone—clean and engineered, with a subtle retro-industrial flavor from its rounded-rectilinear construction. Its narrow stance and simplified forms feel efficient and space-conscious, suggesting signage and system-like clarity rather than expressive handwriting or calligraphic warmth.
Likely intended as a space-efficient display sans that blends technical cleanliness with softened geometry. The design prioritizes consistent monoline construction and rounded-rectilinear bowls to create a distinctive, modern voice that remains straightforward and legible in short to medium text settings.
Round letters such as O/C/G and the numerals echo a squared-off, softened architecture, while straight-sided letters reinforce a strong vertical texture. The lowercase includes compact ascenders/descenders and simple, open shapes that maintain clarity at display sizes. Overall spacing and proportions emphasize height and economy of width.