Sans Superellipse Hamol 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Pragmatik' by Christopher Stahl, 'Neusa Neu' by Inhouse Type, 'Cairoli Now' by Italiantype, 'Hergon Grotesk' by Katatrad, and 'Foundry Monoline' by The Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, modern, friendly, clean, confident, utilitarian, modernization, approachability, clarity, brand distinctiveness, interface utility, rounded, geometric, soft corners, compact, sturdy.
This typeface is a heavy, geometric sans with rounded-rectangle construction throughout, producing smooth corners and broadly uniform stroke weight. Curves are built from superellipse-like forms, giving bowls and counters a squared-round feel rather than purely circular geometry. Terminals are clean and mostly straight, apertures are moderately open, and the overall rhythm is steady and compact without feeling condensed. The lowercase uses single-storey forms where expected (notably a and g), with short ascenders/descenders relative to the cap height and a large, square dot on i/j that reinforces the blocky, modern texture.
Best suited for display and short-to-medium text where strong presence and clean shapes are desired—headlines, logos, signage, packaging, and interface labels. The rounded geometry and even color make it effective for modern brand systems, while the clear, sturdy letterforms help maintain legibility at moderate sizes.
The overall tone is contemporary and approachable, combining a soft, rounded friendliness with a solid, assertive presence. It reads as practical and straightforward, suited to brands and interfaces that want warmth without losing clarity or authority.
The design appears intended to deliver a contemporary geometric sans with softened corners and a consistent, modular construction. Its superellipse-inspired curves aim to balance friendliness and precision, producing a recognizable texture that remains clean and functional in real-world typography.
The numerals share the same rounded-rect geometry and appear built for consistency with the uppercase, with clear differentiation in shapes and sturdy joins. Diagonal letters (K, V, W, X, Y) keep crisp angles, while round letters (O, Q, G, C) maintain the signature squarish-round contour, creating a distinctive, cohesive silhouette.