Stencil Tima 11 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Dean Gothic' by Blaze Type and 'Murs Gothic' by Kobuzan (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, branding, industrial, military, utilitarian, rugged, mechanical, stencil texture, impact display, industrial marking, graphic branding, rounded corners, soft terminals, segmented, monolinear, high impact.
A heavy, wide, monolinear stencil with softened corners and a distinctly segmented construction. Strokes are thick and uniform, with frequent internal breaks that read as functional stencil bridges rather than decorative cut-ins. Counters tend to be compact, and many joins are squared-off yet rounded at the edges, giving the forms a robust, machined feel. Width varies by character, but the overall rhythm stays dense and blocky, with clear horizontal emphasis and strong silhouette clarity at display sizes.
This font performs best in short, high-impact settings such as posters, headlines, signage, packaging, and bold brand marks where the stencil cuts become a defining texture. It’s also well-suited to labels, wayfinding, and themed graphics that benefit from an industrial or tactical flavor. For smaller text, the dense weight and internal breaks will be more legible with generous tracking and ample size.
The broken, bridge-driven shapes evoke industrial labeling and equipment marking, with a pragmatic, no-nonsense tone. Its rounded corners temper the severity, keeping the voice bold and approachable while still feeling rugged and operational. The overall impression is assertive and graphic, suited to attention-getting messages.
The design appears intended to deliver a durable stencil aesthetic with modern, rounded geometry—prioritizing strong silhouettes, consistent bridging, and a compact, display-forward rhythm. It aims for an industrial marking sensibility while keeping letterforms contemporary and highly graphic.
Break placement is consistent across the alphabet, creating a cohesive stencil logic in both uppercase and lowercase. The lowercase largely echoes the uppercase’s geometric construction, favoring simplified, sign-like forms. Numerals follow the same segmented system, maintaining uniform color and strong presence in mixed strings.