Font Hero

Free for Commercial Use

Sans Superellipse Edgon 2 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'FF Signa' and 'FF Signa Round' by FontFont (names referenced only for comparison).

Keywords: ui text, app design, branding, editorial, signage, modern, clean, approachable, technical, streamlined, modernize, soften geometry, improve clarity, add motion, system cohesion, rounded, monoline, humanist, open apertures, soft corners.


Free for commercial use
Customize the font name

A slanted sans with monoline strokes and rounded-rectangle construction that keeps counters and terminals soft rather than sharp. Curves are broad and controlled, with gently squared bowls and a consistent radius that carries through letters and numerals. The italic is built as a true drawing rather than a simple shear, with fluid joins and a forward-leaning rhythm that remains even across the set. Overall spacing reads comfortable and airy, supporting clear word shapes without feeling condensed or extended.

Well suited to UI copy, dashboards, and product surfaces where a modern italic is needed without sacrificing clarity. The rounded geometry and steady rhythm also make it a good fit for contemporary branding systems, lightweight editorial accents, and short-to-medium text in signage or packaging where an approachable technical voice is desired.

The tone is contemporary and friendly, pairing a utilitarian clarity with softened geometry. Its forward slant adds motion and a slightly informal, conversational feel, while the rounded forms keep it approachable rather than stark or corporate.

The design appears intended to blend geometric discipline with softened, superellipse-derived curves, creating an italic sans that feels fast and modern yet easy to read. It emphasizes consistency across letters and numerals, aiming for a cohesive texture in both interface settings and branded communication.

Round forms (C, O, Q, 8, 0) show a superellipse-like squareness in the verticals, and many strokes end in subtly rounded terminals. The numerals follow the same soft-rectilinear logic, giving interfaces and data displays a cohesive, modern texture. The overall rhythm stays smooth in longer text, with few sharp inflection points and a consistent stroke presence throughout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸