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Sans Superellipse Ramen 7 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Bazbaran' by Fakharia (names referenced only for comparison).

Keywords: ui labels, signage, headlines, data display, packaging, modern, functional, clean, techy, urban, space saving, clarity, system design, modern branding, geometric consistency, condensed, monolinear, rounded, square-rounded, crisp.


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This typeface is a condensed, monolinear sans with a distinct rounded-rectangle construction in its curves. Strokes stay even and straight-sided, with corners softened rather than sharply squared, producing a tidy, engineered rhythm. Capitals are tall and narrow with compact bowls (notably in B, D, P, R) and a tight, efficient footprint, while lowercase maintains a straightforward, utilitarian structure with simple joins and minimal modulation. Numerals follow the same compact, upright logic, with open counters and clean, unembellished terminals.

It works well for space-conscious headlines, interface labels, navigation, and informational graphics where narrow proportions help fit more characters per line. The clean, rounded-rect geometry also suits contemporary branding applications such as packaging, posters, and wayfinding systems, especially when a modern, technical voice is desired.

The overall tone is contemporary and pragmatic, suggesting a technical, system-oriented voice rather than expressive or calligraphic warmth. Its condensed stance and controlled geometry feel information-forward, suited to environments where space efficiency and clarity are valued. The rounded corners add a mild friendliness without shifting the design away from a structured, modern character.

The design appears intended to provide a compact, highly legible sans for modern layouts, balancing strict, straight-sided construction with softened corners for approachability. Its consistent stroke weight and controlled geometry prioritize clarity and repeatable rhythm in both display text and short reading passages.

Round glyphs lean toward squarish ovals, creating a consistent superellipse-like texture across O/C/G and related forms. Spacing appears measured and even in text, and the design maintains a steady vertical emphasis that supports a disciplined, slightly assertive presence in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸