Sans Superellipse Pemem 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Double Porter' by Fenotype, 'FT Graphitum' by Foxys Forest Foundry, and 'Miguel De Northern' by Graphicxell (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, signage, punchy, playful, retro, sporty, compact, impact, compactness, friendliness, display clarity, geometric consistency, rounded corners, squarish rounds, soft terminals, high impact, sturdy.
A compact, heavy sans with rounded-rectangle construction and softly squared curves. Strokes are monolinear and dense, with tight counters and a slightly compressed overall stance that keeps verticals dominant. Curves resolve into flattened bowls and superelliptic shapes, giving letters a sturdy, blocky silhouette while maintaining smooth, rounded corners. The lowercase is simple and utilitarian with single-storey forms and short ascenders/descenders, and the numerals match the same robust, compact rhythm.
This font is well suited to short, high-impact text such as posters, headlines, packaging callouts, and bold brand marks where a compact footprint is helpful. It can also work for signage and labels when set with enough size and leading to preserve clarity around the tight counters.
The overall tone is bold and energetic, balancing friendliness from the rounded corners with a no-nonsense, poster-like presence. Its compact shapes and chunky massing suggest a retro-meets-contemporary feel that reads as sporty and attention-grabbing rather than formal.
The design appears intended to deliver maximum presence in a condensed space using rounded-rectangle geometry and uniform stroke weight. It prioritizes strong silhouettes and consistent, friendly curvature for display typography that remains clean and modern.
Spacing appears tuned for headline density, with letters that sit close visually due to their wide strokes and small internal apertures. The design language stays consistent across caps, lowercase, and figures, emphasizing solid geometry over calligraphic detail.