Sans Superellipse Pimuh 9 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Bureau Grot' by Font Bureau, 'Tusker Grotesk' by Lewis McGuffie Type, 'Ikigai' by Monotype, and 'PG Gothique' and 'PG Grotesque' by Paulo Goode (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, condensed, modern, athletic, space-saving impact, strong silhouette, geometric utility, headline emphasis, blocky, tall, compact, geometric, high-impact.
A tightly packed, heavy display sans with tall proportions and a compact footprint. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than true circles. Strokes maintain an even, monoline weight with blunt terminals and minimal modulation, producing a firm, poster-ready texture. The lowercase mirrors the uppercase in structure, with simplified forms and sturdy joins that keep word shapes dense and vertical.
Best suited to headlines, large-scale posters, and attention-grabbing titles where condensed width helps fit long phrases into limited space. It also fits branding systems that want an industrial or athletic edge—such as packaging, event graphics, and bold signage—especially when set with generous tracking or ample line spacing.
The overall tone is loud, direct, and utilitarian—more like stenciled signage or sports branding than a quiet text face. Its compressed rhythm and thick silhouettes create urgency and authority, lending a punchy, no-nonsense voice.
The design appears intended to maximize impact in minimal horizontal space while keeping a clean, geometric voice. Its rounded-rectangle construction and uniform stroke weight suggest a focus on consistency and strong silhouette over calligraphic nuance.
Counters are relatively tight and apertures tend to be narrow, which increases the “black” presence in paragraphs and favors short, bold statements. Numerals follow the same tall, condensed pattern and read as robust, headline-oriented figures.