Sans Faceted Raba 5 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, titles, futuristic, runic, techno, sharp, angular, thematic display, sci‑fi styling, iconic forms, geometric consistency, geometric, faceted, chiseled, stencil-like, high-contrast.
This typeface is built from straight strokes and crisp facets, replacing curves with angled joints and triangular cut-ins. Stems are consistently thick and even, with hard corners, open counters, and frequent wedge terminals that give letters a carved, constructed feel. Proportions are compact and slightly squarish overall, while diagonals and notches create a jagged rhythm; round forms (like O and Q) become diamond-like shapes. The lowercase follows the same geometric logic, mixing simplified linear forms with occasional asymmetric cuts, and numerals echo the same angular geometry for a cohesive set.
Best suited to short, high-impact settings such as titles, posters, logo wordmarks, packaging accents, and on-screen UI elements for games or sci‑fi themed projects. It can work well in large sizes where the faceted construction and diamond counters remain clear, and as a secondary display face paired with a simpler text companion.
The overall tone reads as futuristic and symbol-like, with a hint of runic or arcade lettering. Its sharp geometry feels mechanical and assertive, evoking sci‑fi interfaces, game UI, and fantasy-tech hybrids rather than everyday text settings.
The design appears intended to deliver a distinctive, angular display voice by translating familiar sans structures into planar, cut-stone geometry. Its consistent straight-stroke construction suggests an emphasis on graphic presence and theme-setting over conventional readability.
The faceting and internal notches create distinctive silhouettes that pop at display sizes, but the aggressive angles and unconventional shapes can reduce readability in long passages. The design’s repeated wedges and diamond counters establish a strong visual identity across both cases and figures.