Script Ohje 2 is a very bold, narrow, medium contrast, italic, short x-height font.
Keywords: headlines, logos, packaging, posters, branding, retro, friendly, playful, confident, handmade, expressiveness, signage feel, headline impact, approachability, nostalgic tone, brushy, rounded, bouncy, calligraphic, swashy.
A bold, brush-like script with a consistent rightward slant and softly rounded stroke endings. Letterforms show a mix of compact counters and generous curves, with occasional swashes and looped entries that suggest quick, confident pen movement. Strokes have a slightly calligraphic modulation and tapered joins, giving the shapes a lively rhythm without becoming delicate. Capitals are prominent and expressive, while the lowercase maintains a tight, energetic flow that reads clearly at display sizes.
Well-suited for display typography such as logos, brand wordmarks, packaging titles, posters, and promotional headlines where a warm, handmade feel is desired. It can also work for short, high-impact phrases on invitations or social graphics, especially when paired with a simpler companion typeface for supporting text.
The overall tone is upbeat and personable, with a casual elegance that feels both nostalgic and energetic. Its thick, smooth strokes and bouncing rhythm give it a friendly, approachable voice suited to attention-grabbing headlines. The style leans toward classic signwriting and mid-century script influences rather than refined formal engraving.
The design appears intended to deliver a bold, brush-script look that balances legibility with expressive flair. Its slanted, energetic forms and occasional swashes aim to create a memorable, signature-like presence that feels crafted and personable rather than mechanical.
Several capitals feature distinctive internal curves and swashy terminals that create strong silhouettes, especially in letters like Q, R, and S. Numerals are similarly bold and curvy, matching the script’s brush rhythm and maintaining visual continuity in mixed text. The texture emphasizes word shapes and momentum, making it most effective when given enough size and spacing to let the curves breathe.