Sans Superellipse Odbo 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Kometa' by Kiril Zlatkov Type Foundry, 'Motiva Sans' by Plau, 'Jasan' by Storm Type Foundry, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, ui labels, friendly, playful, approachable, chunky, modern, friendly impact, soft geometry, brand voice, display clarity, rounded, soft, blunt, bouncy, compact.
A heavy, rounded sans with superelliptical construction: bowls and counters read as softened rectangles rather than perfect circles. Strokes are thick and uniform, with blunt terminals and generous corner rounding that keeps joins smooth and highly consistent. Proportions are broad and stable, with compact internal counters in letters like B, P, and e, and a single-storey a and g that reinforce an informal, contemporary feel. Figures are similarly chunky and open, with clear silhouettes and minimal detailing.
Best suited to headlines, short phrases, and bold branding moments where a soft but emphatic presence is desired. It works well for packaging, signage, and UI labels that benefit from high visual weight and friendly rounded forms; for longer passages, its compact counters and dense color suggest using ample size and spacing.
The overall tone is warm and inviting, with a toy-like softness that feels contemporary and user-friendly. Its inflated shapes and rounded corners project a casual, optimistic voice while still maintaining a clean, graphic discipline.
Likely designed to deliver maximum impact with a soft-edged, contemporary texture—combining strong readability at display sizes with a distinct rounded-rectangle personality. The simplified, consistent geometry suggests an emphasis on cohesive icon-like letterforms that feel approachable and modern.
The design favors strong, simplified silhouettes and steady rhythm over delicate differentiation, so text appears dense and impactful. Curves tend to square off at the extremes, giving round letters a gently boxy stance and helping the alphabet feel cohesive across caps, lowercase, and numerals.