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Free for Commercial Use

Wacky Kulu 8 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Moldin' by Azzam Ridhamalik, 'Duotone' by Match & Kerosene, 'Beni' by Nois, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, logo marks, packaging, album covers, industrial, stenciled, retro, techno, playful, distinctive texture, stencil effect, display impact, retro-tech flavor, condensed, blocky, slablike, segmented, notched.


Free for commercial use
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A condensed, heavy display face built from simple geometric masses and long vertical stems, with rounded outer corners on many forms. A defining feature is the repeated horizontal “break” that slices through most glyphs, creating a segmented, stencil-like construction and a strong midline rhythm. Counters are compact and often simplified, and several letters use abrupt notches or clipped joins that emphasize a modular, cut-and-assembled feel. Figures follow the same logic, with the break line and tight apertures producing a uniform, poster-ready texture.

Best suited for short, high-impact typography such as posters, headlines, packaging titles, and logo wordmarks where the segmented construction can be appreciated. It also works well for themed graphics (industrial, sci‑fi, retro signage) and large-scale applications like banners or apparel prints.

The consistent midline splits and chunky proportions give the font a bold, engineered personality—part industrial labeling, part retro-futurist display. Its quirky interruptions read as intentionally disruptive, adding a playful, wacky edge while still feeling controlled and systematic.

The design appears intended to turn a condensed, heavy sans into an instantly recognizable display voice by introducing a consistent horizontal cut across the alphabet. This systematic disruption creates novelty and texture while keeping letterforms broadly familiar for punchy, attention-grabbing titling.

The midline segmentation is prominent enough to become a pattern at text level, which increases visual impact but can reduce clarity at smaller sizes or in dense paragraphs. The narrow set and heavy strokes create strong vertical emphasis and a dark overall color, especially in all-caps settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸