Sans Other Funy 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Neil Bold' by Canada Type (names referenced only for comparison).
Keywords: posters, headlines, sports, packaging, branding, industrial, poster, stencil-like, retro, assertive, high impact, brand stamp, industrial feel, display texture, blocky, angular, notched, compressed curves.
A heavy, block-constructed sans with squared proportions and selectively rounded corners. Strokes are uniformly thick, producing dense counters and a compact internal rhythm, while many glyphs incorporate characteristic triangular notches and cut-in joins that read as pseudo-stencil breaks. Curves on letters like C, G, O, and S are simplified into broad, vertical-sided bowls rather than fully geometric circles, and terminals tend to end bluntly. Uppercase forms feel tall and monolithic; lowercase is similarly weighty with simplified, almost modular construction, and figures follow the same solid, cut-in aesthetic for consistent texture in display settings.
Best suited for posters, bold headlines, sports or event graphics, packaging callouts, and branding that needs an impactful, industrial voice. It can also work for short UI labels or signage when set large, but the dense counters and notch details are most effective in display applications rather than long text.
The overall tone is loud and utilitarian, mixing an industrial, machine-cut feel with a playful, retro poster attitude. The recurring cut-ins add a rugged, stamped or carved impression that reads as energetic and slightly aggressive, suited to attention-grabbing headlines.
The design appears intended to deliver maximum visual punch with a consistent, modular construction and a signature cut-in motif. It prioritizes recognizability and texture over neutrality, aiming for a rugged, manufactured look that stands out quickly.
The distinctive notch motif repeats across many letters and numerals, creating a recognizable signature and strong word-shape patterning. Because counters are tight and joins are abrupt, the design favors larger sizes where the internal details and cut-ins remain clearly visible.