Outline Ohtu 2 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, retro, futuristic, playful, neon, display, signage feel, geometric styling, decorative impact, geometric, monoline, inline, angular, faceted.
A geometric outline face built from thin, monoline contours with a consistent double-line construction that reads like an inline/track border around each letterform. Forms are largely constructed from straight segments and softly chamfered corners, producing faceted bowls and rounded-rectangle counters rather than smooth curves. The capitals are clean and architectural with open, airy interiors; several glyphs use distinctive geometric solutions (notably the diamond-shaped O and the Q with a small tail). Lowercase follows the same modular logic, with simplified, angular joins and compact terminals that keep the rhythm light and even.
Best suited for display settings such as headlines, posters, logotypes, and branded wordmarks where its outline construction and geometric personality can be appreciated. It also works well for signage-inspired graphics, event materials, and packaging accents that want a light, decorative line aesthetic rather than dense text color.
The overall tone feels retro-futuristic and Art Deco–adjacent, like signage tubing or neon outlines translated into a crisp vector system. Its light, airy construction gives it an elegant but playful character, leaning more toward display personality than utilitarian neutrality.
The design appears intended to provide a cohesive, geometric outline style that evokes vintage modernism and neon-like linework, offering distinctive letterforms for attention-grabbing titles and identity-driven typography.
Because the design relies on fine outlines and interior spacing, it will read best where the contour can remain crisp and uninterrupted; the character comes through most strongly at larger sizes and with ample tracking. Numerals and punctuation echo the same faceted geometry, maintaining a consistent, constructed look across the set.