Print Baroh 1 is a very light, very narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, greeting cards, quotes, airy, delicate, friendly, minimal, whimsical, hand-drawn clarity, friendly display, minimal elegance, space-saving headlines, monoline, condensed, linear, clean, rounded.
A monoline, drawn-looking alphabet with tall, condensed proportions and generous interior whitespace. Strokes stay consistently thin with softly rounded turns and occasional tapered joints that mimic a fine pen or felt-tip marker. Curves are simple and open (notably in C, O, and G), while diagonals and joins (K, M, N, V, W, X) have a lightly irregular, hand-rendered rhythm rather than strict geometric precision. Lowercase forms are compact with straightforward construction—single-storey a and g, a narrow e with a small aperture, and tall ascenders/descenders that emphasize verticality. Numerals follow the same spare, linear approach, with slender silhouettes and unobtrusive details.
This font is well suited to short, display-oriented text such as headlines, poster lines, packaging callouts, invitations, greeting cards, and quote graphics where an informal handwritten flavor is desired without connecting scripts. It can also work for light UI labels or editorial side notes when set at larger sizes and with comfortable tracking.
The overall tone feels lighthearted and approachable, with a quiet, understated personality. Its thin, narrow presence reads as gentle and slightly whimsical, like neat handwriting refined into a consistent set. The simplicity and openness give it a modern, calm feel while retaining an informal, human touch.
The design appears intended to translate neat, unconnected handwriting into a consistent, minimal display face. Its tall condensed build and pared-back details suggest an emphasis on elegance-through-simplicity, providing an informal voice that stays clean and contemporary.
Because the letterforms are extremely slender and tightly proportioned, the face relies on size and spacing for clarity; it reads best when given room and when contrast against the background is strong. The rounded terminals and restrained detailing keep it from feeling sharp or technical, even in all caps.