Sans Superellipse Udlik 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'FF Cube' by FontFont, 'Midsole' by Grype, 'Danos' by Katatrad, 'Syke' by The Northern Block, and 'Great Escape' and 'Kimberley' by Typodermic (names referenced only for comparison).
Keywords: sports branding, tech ui, headlines, posters, product branding, futuristic, sporty, technical, dynamic, clean, speed emphasis, modernization, tech signaling, display clarity, rounded, superelliptical, oblique, monoline, compact.
A rounded, oblique sans with monoline strokes and corners that resolve into soft, superellipse-like curves rather than true circles. Overall proportions feel compact with squared-off counters and terminals, creating a controlled, engineered rhythm across both upper- and lowercase. Curves in letters like C, G, O, and S read as rounded rectangles, while diagonals and joins stay firm and simplified, keeping forms crisp at display sizes. Numerals follow the same softened-rectilinear construction, with consistent stroke weight and tight, purposeful spacing.
This style suits sports and esports identities, automotive or performance-themed branding, and technology-forward packaging where a sense of motion helps. It also works well for UI titles, dashboards, and short headings that benefit from clear shapes and a distinctive, engineered voice.
The tone is modern and kinetic, with a streamlined, forward-leaning posture that suggests speed and technology. Its rounded geometry keeps it approachable, while the squared curves and steady stroke weight add a precise, utilitarian character.
The font appears designed to blend friendly rounded corners with a precise, constructed geometry, delivering an energetic oblique voice for contemporary display use. Its superelliptical forms and simplified detailing prioritize recognizability and a cohesive, modern texture in words and numbers.
The design language is highly consistent across the set, emphasizing uniform corner radii and flat-ish arcs that give text a distinctive “soft-tech” silhouette. The italic angle is noticeable without becoming calligraphic, maintaining a constructed, mechanical feel rather than a handwritten one.