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Free for Commercial Use

Sans Superellipse Pinul 10 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Burger Honren' by IRF Lab Studio, 'Frontage Condensed' by Juri Zaech, 'Havana Sunset' by Set Sail Studios, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, poster, condensed, assertive, utilitarian, space saving, impact, bold branding, modern utility, high-contrast counters, tight spacing, blocky, rounded corners, stencil-like.


Free for commercial use
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A compact, condensed display face with thick, uniform strokes and a squared-off, superelliptical construction. Curves resolve into rounded rectangles rather than true circles, giving letters like O, C, and G a boxy softness. Terminals are clean and blunt, with tight apertures and relatively small counters that emphasize weight and density. Uppercase forms are tall and rigid with a strong vertical rhythm, while the lowercase follows the same narrow, sturdy geometry for consistent texture in text.

Best suited to headlines, posters, and other display typography where a tall, compressed silhouette helps fit more characters per line while staying forceful. It also works well for signage, labels, and packaging that benefit from strong contrast against a background and a sturdy, engineered feel.

The overall tone is bold and workmanlike, with an industrial, no-nonsense presence that reads as confident and attention-grabbing. Its compressed proportions and dense color create a sense of urgency and impact, leaning toward headline and signage energy rather than quiet neutrality.

This font appears designed to deliver maximum impact in limited horizontal space, using a rounded-rectangular construction to keep forms sturdy, modern, and highly legible at display sizes. The goal is a dense, assertive typographic voice with consistent geometry across letters and numerals.

The numerals match the condensed, block-forward logic of the letters, keeping a uniform, compact footprint that supports strong tabular-like rhythm in big settings. The sample text shows a dark, continuous typographic color that holds together well in short phrases, but the tight internal spaces suggest caution at very small sizes or in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸