Sans Superellipse Etras 9 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Backpage Article JNL', 'Brochure Sans JNL', 'Convicted JNL', and 'Message Stencil JNL' by Jeff Levine and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, sports branding, posters, packaging, signage, sporty, urgent, industrial, action, retro, impact, speed, space saving, branding, modernize, condensed, oblique, tall, square-rounded, aggressive.
A condensed, strongly slanted sans with tall proportions and a compact footprint. Strokes are heavy and largely monolinear, with rounded-rectangle construction shaping the bowls and counters into squarish superellipse forms. Terminals are mostly straight-cut and crisp, and the overall drawing favors tight apertures and minimal interior space, creating dense, high-impact word images. The figures and capitals follow the same angular-yet-rounded logic, keeping a consistent, mechanical rhythm across text and display sizes.
Best suited to punchy headlines, sports and action-oriented branding, and promotional graphics where a fast, forceful tone is desired. It can work in short UI labels or signage when space is tight, but the dense counters and steep slant make it less comfortable for long-form reading.
The font conveys speed and pressure, with an assertive, forward-leaning stance that feels athletic and no-nonsense. Its squared rounding and dense counters give it a utilitarian, engineered character, while the extreme slant adds a sense of motion and intensity.
The design appears aimed at delivering maximum impact in narrow spaces, combining a heavy, oblique stance with rounded-rectangular shaping for a modern, engineered look. Its consistent construction and compact rhythm suggest an emphasis on bold branding and high-energy display typography.
Spacing appears intentionally compact, reinforcing the condensed silhouette and making lines feel packed and energetic. The rounded-rectangle geometry remains consistent across curved letters and numerals, helping the style read as a cohesive system rather than a purely calligraphic italic.