Sans Other Loris 7 is a regular weight, normal width, low contrast, upright, tall x-height font.
Keywords: branding, headlines, posters, ui display, logos, modern, techy, playful, futuristic, geometric, brand signature, geometric clarity, modernization, distinctive counters, systematic design, monoline, rounded, stencil-like, modular, high-clarity.
A clean, monolinear sans with largely geometric construction and a slightly modular, cut-and-join feel in several forms. Curves are smooth and rounded, while joins and terminals often resolve into crisp, straight cuts rather than soft tapering, creating a subtle stencil-like rhythm. Counters are generous and open, and the overall spacing reads even and deliberate, giving the alphabet a calm, engineered texture. A distinctive motif appears in multiple round characters as a centered circular “dot” counter detail, adding a strong graphic signature without changing the basic sans structure.
This face is well suited to branding systems, logo wordmarks, and display typography where its signature circular counter detail can read as a recognizable identifier. It also fits tech-forward packaging, posters, and UI/display contexts that benefit from a crisp geometric voice with a touch of personality.
The overall tone is contemporary and slightly futuristic, balancing neutrality with a playful, gadget-like quirk. The repeated circular counter detail lends a sense of tech iconography and a bit of whimsy, making the font feel branded and intentional rather than purely utilitarian.
The design appears intended to deliver a familiar, readable sans foundation while introducing a memorable, repeatable graphic motif for identity-driven typography. Its consistent monoline construction and engineered terminals suggest a focus on clarity and systematized shapes, with the dot-counter detail providing differentiation.
The circular-dot motif is most prominent in rounded capitals and numerals, which can become a focal point in headlines and marks. Stroke endings and interior cuts stay consistent across the set, helping the design feel systematic even where forms get more idiosyncratic.