Sans Other Ulbi 2 is a very light, normal width, low contrast, italic, tall x-height font visually similar to 'Absentia Display' and 'Absentia Sans' by DR Fonts (names referenced only for comparison).
Keywords: headlines, branding, posters, ui display, tech packaging, futuristic, sleek, technical, aerodynamic, minimal, sci-fi styling, modular geometry, interface feel, distinct identity, motion emphasis, monoline, rounded, oblique, geometric, streamlined.
A monoline, oblique sans with softly rounded corners and a distinctly engineered, segmented construction. Strokes stay even and clean while many terminals finish with squared cuts or short, flat “cap” strokes, creating a modular rhythm. Counters are open and oval-leaning, curves are drawn as smooth arcs, and joins often avoid sharp intersections, giving letters a slightly articulated, fabricated feel. Proportions are compact and forward-leaning, with simplified forms and occasional breaks that read like deliberate inline cuts rather than traditional humanist detailing.
Best suited to display settings where its stylized construction can be appreciated—headlines, logos, product branding, posters, and tech-themed packaging. It can also work for short UI labels or interface-style graphics where a sleek, engineered voice is desired, while longer passages will read as intentionally decorative.
The overall tone feels futuristic and technical, with a lightweight, aerodynamic presence. Its stylized cuts and rounded geometry evoke digital interfaces, sci‑fi titling, and industrial labeling, while still remaining legible enough for short text. The slant adds motion and urgency, making the design feel active and contemporary.
The design appears intended to reinterpret a simple sans skeleton through a modular, cut-and-capped stroke system, delivering a forward-leaning, high-tech aesthetic. It prioritizes visual identity and motion over neutrality, aiming to feel modern, streamlined, and purpose-built for contemporary display use.
Several uppercase forms emphasize flat bars and separated strokes, and the numerals echo the same capped, modular logic for a cohesive alphanumeric set. The texture in paragraphs is distinctive: the oblique angle and segmented terminals create a patterned flow that stands out more than a conventional italic sans.