Sans Superellipse Abnuk 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Jacquot Sans' by BRCH Studio, 'BB Torsos Pro' by Bold Studio, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: ui text, product design, signage, dashboards, editorial, clean, neutral, modern, friendly, utilitarian, legibility, neutrality, modernization, system-like consistency, monoline, open apertures, rounded terminals, geometric, crisp.
A clean, monoline sans with superelliptical curves and squared-off geometry that reads as rounded-rectangle rather than purely circular. Strokes are even and crisp, with largely vertical stress and minimal modulation. Capitals are straightforward and contemporary, while lowercase forms balance compact bowls with open apertures; the single-storey a and g keep the texture simple and consistent. Numerals are clear and workmanlike, with the 1 featuring a small angled top and the 4 drawn in an open, modern style.
Works well for UI labels, navigation, and product typography where clarity at a range of sizes matters. Its even stroke and open shapes suit dashboards and instructional content, while the steady paragraph color makes it serviceable for straightforward editorial and corporate communication. The clean numerals support data-heavy layouts such as tables, forms, and wayfinding.
The overall tone is modern and unobtrusive, aiming for clarity over personality. Softened corners and superellipse-derived curves add a mild friendliness, but the rhythm remains disciplined and professional. It feels appropriate for interfaces and informational design where you want a contemporary voice that doesn’t draw attention to itself.
The design appears intended as a contemporary, highly legible sans that blends geometric discipline with softened, superelliptical rounding. It prioritizes consistent rhythm, clear counters, and simple letterforms to perform reliably in functional, modern brand and interface contexts.
Spacing appears comfortable and even, producing a steady grayscale in paragraph settings. Round letters (C, O, S) show a subtly squarish curvature that reinforces the superelliptical theme, while diagonals (V, W, X, Y) stay sharp and efficient for a crisp, technical finish.